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Historique
Teatre Lliure
The Teatre Lliure was set up in 1976 by a group of theatre professionals
working in the independent theatre. Since then it has become renown for
its emphasis on text-based theatre which involves the re-working of classic
texts, as well as the promotion of contemporary dramatists and seasons
in which theatre alternates with dance and music. Over the years it has
been directed by Fabià Puigserver, Lluís Pasqual, Lluís
Homar, Guillem-Jordi Graells and Josep Montanyès, and its commitment
to the world of Catalan culture and its contribution to heightening public
awareness of the theatre were rewarded right from the start by full houses
and critical acclaim.
The Teatre Lliure was one of the founders in 1989 of the Union of European
Theatres, a fact which demonstrates the company’s commitment to
working beyond the confines of its own theatres and to taking its shows
on tour to festivals far and wide. The Teatre Lliure has visited many
European and a number of Latin American countries and, as part of its
new phase, aims to work much more on national and international co-productions
such as those already undertaken in the Hebbel Theater of Berlin, the
Salzburg Festival, the Festival Grec of Barcelona, and elsewhere. Furthermore,
since the inauguration of the new location in the old “Palau de
l’Agricultura” at Montjuïc, many internationally recognised
performers have taken the stage in its new theatres: Kristian Lupa, Carlo
Cecchi, Philip Glass, Declan Donellan, Fura dels Baus, Philippe Decouflé,
Cesc Gelabert, Carles Santos, Compagnie Hervé-Montalvo, Antonio
Latella, Thomas Ostermeier, Jan Lauwers, Lluís Pasqual, Bob Wilson,
Wooster Group and Peter Sellars.
Since March 2003 Àlex Rigola has been the director of the Teatre
Lliure and during this period the theatre’s repertoire of drama,
complemented by a good dose of contemporary dance, live music and many
different types of innovations, has become fully established. The Teatre
Lliure sees the stage as somewhere for taking risks with the emotions,
as it has shown in the relevancy of the subject matter of both its new
productions and its re-workings of established texts that contain ideas
that are still valid today. Thanks to the recognition Rigola has acquired
already and his team’s past successes along with a program that
combines the risk and innovation target with the highest artistic standard,
the Teatre Lliure is currently one of the leading references of the Spanish
theatre scene.
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